Installation view of A Shiver in Search of a Spine, ARARIO GALLERY, Seoul, 2019
아라리오갤러리 서울 삼청 그룹전
《척추를 더듬는 떨림 A Shiver in Search of a Spine》 개최
. 독일에서 활동하는 작가 4인의 한국 첫 전시
. 테이트리버풀(2019)에서 개인전 개최한 솔 칼레로,
이스탄불비엔날레(2017) 참여작가 카시아 푸다코브스키,
베니스비엔날레(2013) 참여작가 페트릿 할릴라이 포함 국제 미술계에서 활발히 활동해온 작가 소개
. 이번 전시를 위해 특별히 제작된 현장설치, 조각 등 다수의 신작 공개
Kasia Fudakowski, The revenge (Panel 29), 2019,
steel, Plexi glass, fabric, polymer clay, acetate, electrical cable, electrical cable, light bulbs, paint,
200 x 172 x 30 cm ⓒThe artist & ChertLudde, Berlin
전시 제목 《척추를 더듬는 떨림》 A Shiver in Search of a Spine
전시 기간 2019년 7월 11일 목요일 . 10월 5일 토요일
전시 장소 아라리오갤러리 서울 삼청 서울시 종로구 북촌로 5길 84
전시 작품 설치, 회화, 조각 포함 25여점
관람 시간 화요일 . 토요일 11:00 . 18:00 (일요일, 월요일 휴관)
아라리오갤러리는 2019년 여름 전시로 그룹전 <척추를 더듬는 떨림>을 선보인다. 전시에 참여한 솔 칼레로, 카시아 푸다코브스키, 페트릿 할릴라이, 조라 만은 독일 베를린과 국제무대에서 활동하고 있는 작가이다.
한국에서는 처음으로 소개하는 이 작가들은 공동체에 대한 개념, 사회적 구조를 과거의 중요한 역사적 맥락, 재구성된 공간, 망각의 상태와 같은 상황을 보여주는 것을 통해 각자만의 독특한 작업세계로 풀어낸다. 이번 전시에서는 수년간의 작품활동으로 다져진 이들의 작업을 예술가의 창조적 충동, 예상치 못했던 재료의 활용, 그리고 국제적 관점으로 보여줄 예정이다.
Installation view of A Shiver in Search of a Spine, ARARIO GALLERY, Seoul, 2019
솔 칼레로(b.1982, 카라카스, 베네주엘라)는 건축의 구조적 요소를 회화와 설치에 활용한 작업을 한다. 전시된 <남쪽의 학교>는 런던에 있는 스튜디오 볼테르의 건축양식에 대한 비평적 사유에서부터 시작한 작업이다. 건축물은 한 단체가 설립된 것을 물리적으로 상징하며 그것이 형성하는 권력구조의 과정을 추적해 볼 수 있는 매개체이다. 작가의 출생지인 남미의 시각문화를 기반으로 스튜디오 볼테르의 빅토리아 식 건축양식을 재해석한 이 작업은 사회가 특정 문화를 차용해 권력의 지배구조를 형성할 수 있다는 과정을 탐구한다.
Installation view of A Shiver in Search of a Spine, ARARIO GALLERY, Seoul, 2019
카시아 푸다코브스키(b.1985, 런던)는 서로 연관성이 없어 보이는 패널들을 연결시키는 <지속성없는없음> 시리즈를 전시한다. 작가는 패널을 이루는 조각들을 통해 의도적으로 연속성이 없어 보이는 이미지들을 병치시키고, 각 패널들이 임의로 해체되고 매번 새롭게 조합될 수 있게 함으로써, 관객의 일상적 범주화와 정의내림을 의도적으로 부정한다. 확대되거나 축소되어 어딘지 모르게 익숙한 패널의 오브제들은 관객이 쉽게 그들만의 내러티브블 만들어낼 수 있게 하며, 극단적으로 역설적인 이미지들은 되려 코믹하게 읽히기도 한다. 이번 전시를 위해 제작된 4점의 신작은 <지속성없는없음> 시리즈 안에서도 <범죄를 찾는 처벌>이라는 제목으로 소개된다. 작가는 비어있는 대합실의 의자, 욕실 커튼에 갇힌 새우와 같은 설치물을 제작함으로써 공동체의 시민으로서 요구 받는 책임과 개인의 자유가 통제, 감시되는 부조리한 사회구조에 주목한다.
Installation view of A Shiver in Search of a Spine, ARARIO GALLERY, Seoul, 2019
페트릿 할릴라이(b.1986, 스케렌데라이-코소보)는 2015년부터 작업해온 <철자법 책> 시리즈를 소개한다. 작가는 그의 고향이자 비극적 전쟁의 역사를 가지고 있는 코소보의 한 학교 책상에 그려진 낙서들을 대형 설치물로 만들어낸다. 사소하게 잊혀지는 학생들의 낙서를 통해 우리 개인의 기억이 상실되거나 희미해지는 것을, 나아가 한 사회의 역사가 왜곡되어 기록되는 것을 보존하는 행위라고도 읽을 수 있는 그의 작업은 어떻게 해도 부정할 수 없는 공동의 역사가 존재한다고 말한다. 작가는 <철자법 책> 조각 시리즈 외에도 이번 전시를 위해 작가의 중요한 작업적 영감이 되는 새 소리를 이용한 사운드 현장설치 작품도 설치했다.
Installation view of A Shiver in Search of a Spine, ARARIO GALLERY, Seoul, 2019
조라 만(b.1979, 암스테르담)은 아프리카에서 유년기를 보낸 경험을 토대로 한 작품 <코스모파기>를 전시한다. 해양보호 활동에도 참여한 적이 있는 작가는 케냐의 해변과 수로에 버려진 플라스틱 슬리퍼들을 재활용해 커튼을 만들었다. 인도양의 가장 큰 오염원이기도 한 슬리퍼들은 인류의 욕망이 되돌릴 수 없는 환경파괴를 초래할 수 있다는 공동체적 인식을 재고한다. 함께 전시된 방패 시리즈는 토착민족의 사이키델릭하고 장식적인 패턴 이면의 초자연적이고 영적인 경험의 존재를 연출한다.
이번 전시의 제목은 참여작가 푸다코브스키의 작업적 경험의 일화에서 착안하였다. 작가가 느꼈던 떨림은 유령을 본 것 같은 체험에서 비롯한다. 그가 맞닥트린 ‘유령’은 작가가 본 것 중에서도 가장 무시무시한 이미지였는데, 작가는 결국 그 두려움에 매료되고 말았다고 한다. 그가 말하는 떨림은 유령이라는 초자연적인 현상 그 자체가 아닌, 우리도 모르게 일상을 잠식해오는 그 무언가의 존재를 깨달았을 때 등골이 오싹해지는 순간을 의미심장하게 이야기 하고 있는 것만 같다.
참여 작가들은 하나로 규합할 수 없는 여러 가지 미술의 레퍼런스의 영향을 동시에 받으면서 다양한 사회의 정체성과 위계의 정치학에 얽혀있는 모습을 예상치 못했던 감각으로 풀어낸다. 봐서는 안될 것을 본, 보고 싶지 않은 것을 목격한, 보기 전의 상태로 돌아갈 수 없는 상황의 두려움을 알고 있는 작가들은, 마치 유령처럼 일상에 균열을 주는 미지의 경험으로 우리를 유인한다. 뜨거운 태양과 칠흑 같은 어둠이 공존하는 여름, 우리 삶에 출현할 떨림을 이번 전시를 통해 경험해 보길 바란다.
Sol Calero, La Escuela del Sur, 2015, Acrylic on canvas, 200 x 290 cm
솔 칼레로(Sol Calero, b. 1982).
베네주엘라 카라카스 출생, 베를린에 거주하며 작업
학력
2009 Master in Design, Universidad Complutense de Madrid
2006 BA in Fine Arts, Universidad de La Laguna, Tenerife
수상
2017 Nominated for the Preis der Nationalgalerie, in association with Hamburger Bahnhof, Berlin,
Audience award for the Preis der Nationalgalerie, Berlin
2016 Shortlisted, Future Generation Art Prize
2014 XVII Salon Banesco Jovenes Con FIA, Third Place in National Prize, Caracas
개인전
2019 Archivos olvidados, ChertLudde, Berlin
Bienvenidos al Nuevo Estilo, La Casa Encendida, Madrid
El Autobus, Tate, Liverpool
2018 Pica Pica, Dusseldorf Kunstverein, Dusseldorf
Solo Pintura, Barbara Gross Galerie, Munich
Casa Isadora, Brucke Museum, Berlin
Tente en el aire, Kunsthalle Lisbon, Lisbon
Museum Boijmans van Beuningen, Rotterdam
Galerie Crevecoeur, Paris
ACCA Melbourne, Melbourne
2017 Agencia Viajes Paraiso, Kunstpalais Erlangen, Erlangen
Interiores, Dortmunder Kunstverein, Dortmund
2016 La Sauna Caliente, Kunsthaus Bregenz, Austria
Solo Pintura, Laura Bartlett Gallery, London
Casa de Cambio, Art Basel Statements, Basel
Desde el Jardin, David Dale Gallery, Glasgow
2015 La Escuela del Sur, Studio Voltaire, London
El Buen Vecino, SALTS, Basel
Oficina del Ciudadano, solo exhibition, Galerie Wedding, Berlin
Caracas 2015, Sala Mendoza, Caracas
2014 Salsa, Gillmeier Rech Gallery, Berlin
Caribbean Style, Museo Apparente, Naples
Cyber Cafe, Frieze, London
Bienvenidos A Nuevo Estilo, Laura Bartlett Gallery, London
2013 La Caraquena, Frutta Gallery, (Hadrian), Rome
Modern Dowry (with Christopher Kline), Toves, Copenhagen
La Perla del Caribe, The Taut And Tame (Luttgenmeijer), Berlin
2012 Regalos Ancestrales I, II (with Christopher Kline), TEA, Tenerife
2011 Field Studies (with Christopher Kline) curated by Lorenzo Sandoval, Altes Finanzamt, Berlin
Snakebraid performance, El Apartamento, Santa Cruz de Tenerife
2010 Snakebraid Performance, Center of Contemporary Art of Torun, Poland
Regalos Ancestrales (with Christopher Kline), Mark & Kyoko, Berlin
단체전
2019 El hecho alegre. Una mecanica popular de los sentidos, La Casa Encendida, Madrid (upcoming)
2018 Papier. Salon. Wentrup, Berlin.
A Sweet Taste of Conspiracy, Screenings program, FUEGO, Mexico City
2017 Amazonas Shopping Center, Preis der Nationalgalerie, Hamburger Bahnhof - Museum for
Gegenwart, Berlin
HO HO HO, Frutta Gallery, Rome
Casa Anacaona, Folkestone Triennial, Folkestone, UK
What’s Up - The Americas, LVH Art, London
First Day of Good Weather, organised by Despacio (Costa Rica), Sies & Hoke, Dusseldorf
Future Generation Art Prize, Pinchuk Art Centre, Kiev, Ukraine, and Venice, Italy
2016 London is Open: Art for Everyone, Art On The Underground, London
Curated by a Tree, 1857, Oslo
Tropical Punch, Galerie Nathalie Halgand, Vienna
Closer to the veg, Fitzroy Park Allotments, London
Je Ne Sais What?, Carnelutti Law Firm, Milan
2015 Salon of Hybrid Things, KW Institute for Contemporary Art, Berlin
Women’s Art Society II, curated by Adam Carr, Mostyn, Llandudno
You Will Find Me If You Want Me In The Garden, Galerie Chez Valentin, Paris
Oh, Of Course, You Were Berry Picking, DREI Gallery, Koln
Office for Paradoxical Relations, space design, NGKB, Berlin
2014 Small Rome, Frutta Gallery, Rome
Borders, curated by Adam Carr, Artuner, Online show
Accordion, Laura Bartlett Gallery, London
2013 Women’s Art Society, curated by Adam Carr, Mostyn, Llandudno
The Phylogenesis of Generosity, Prizessinnengarten Outdoor Sculpture Triennial, Berlin
Von flussigen Stammbaumen im Geroll der Vernetzung: ein Familienportrat, Espace Beaumont,
Luxembourg
Performing and costume for Michele Di Menna - Ooze Generator, 12. Triennale Klein plastik,
Fellbach
Item Perspectiva, Krome Gallery, Berlin
Come, All Ye Faithfull, curated by Carson Chan, Florian Christopher, Zurich’
2012 Case Report, Nogueras Blanchard, Barcelona
The Rescue of the Effects, curated by Lorenzo Sandoval, General Public, Berlin
2010 Feather Throat, Grimmuseum
Kasia Fudakowski, The Bride Stripped Bare… (Panel 10), 2017, Powder-coated steel, painted aluminium, Linden wood carved by Ozkan .ener, 185 × 121 × 32 cm
카시아 푸다코브스키(Kasia Fudakowski, b. 1985)
런던에서 출생, 베를린에 거주하며 작업
수상
2016 Ottod’Ame Film Award
2004 Mitzi Cunliffe Prize for Sculpture, Ruskin School, Oxford awarded by Ania Gallacio, Brian Catling
and Antonia Cunliffe-Davis
2003 Stephen Farthing Anatomy Award
레지던시
2017 Villa Romana, Florence
2016 Furstenberg, Donaueschingen
주요 개인전
2019 Brexit: TBC with Kasia Fudakowski and Company, Performance at Grunersalon, Volksbuhne,
Berlin
2018 Solo Exhibition, Stichting Project Space 1646, The Hague
Bad Basket, 45 cam Studioraum, Staatliche Kunsthalle, Baden-Baden
Boiling Frogs, Kunstverein Dusseldorf
2017 Double Standards, ChertLudde, Berlin
Bad Basket, Lodos, Mexico City
2016 Tap & Die, Performance at 1646, The Hague
Exitainment, Riverside, Bern
Meat in window, worried by a wasp, curated by Michal Novotnym, Centre for Contemporary Art
FUTURA, Prague
2015 Round Five, with Isa Genzken, at Flex, Berlin
2014 Dream House Experience, Stadtische Galerie Delmenhorst, Delmenhorst
Local Artist, Chert, Berlin
Stoikerinnen, curated by Anna Sabrina Schmid, Kunstverein Harburger Bahnhof, Hamburg
2013 Certaines Femmes pessimistes pres d’un lac, M J Gallery, Geneva
Where is your alibi, Mr. Motorway?, Deweer Gallery, Otegem
2012 Enthusiastinnen, Kunstlerhaus Bethanien, Berlin
2011 Villa Tokyo, solo presentation with Chert gallery, Tokyo
Smile, Chert, Berlin
2009 Gleaning the Gloss, Zak/Branicka gallery, Berlin
2008 Daytime Drama, ArtPol, Krakow
2005 Sculpture, The Project Space, Ruskin School, Oxford
단체전
2019 Body in Progress, Curated by Ala Glasner, Austrian Cultural Forum, Berlin (upcoming)
Camouflage, Curated by Lorenzo Benedetti, LOK | Kunstmuseum St. Gallen
Jahresausgaben or ne travaillez assez, ne comptez jamais, Lothringer13 Halle, Munich
2018 Il Mondo in Fuga . Villa Romana Fellows 2016/17, Schloß Corvey, Hoxter, Germany
Further Thought on Early Materials, Curated by Janneke de Vries and Katja Schroeder, GAK,
Bremen
6th Moscow International Bienniale for Young Art: Abracadabra, curated by Lucrezia Calabro
Visconti, Moscow
Friend of a Friend, ChertLudde hosted by Foksal Gallery Foundation, Warsaw
Infinity has its limits, SALTS, Basel
2017 An incantation fixed at its culminating point, curated by Ines Gerald’s Cardoso, Galeria Boavista,
Lisbon
15th Istanbul Biennial, Curated by Elmgreen & Dragset, Istanbul
Kunst ins Leben! Der Sammler Wolfgang Hahn und die 1960er Jahre, Museum Ludwig, Cologne
Produktion. Made in Germany drei, Sprengel Museum Hannover
Sechs Richtige, Furstenbergische Museum, Donaueschingen
Villa Romana . Fellows 2017, at Villa Romana, Florence
2016 Feature Expanded . 2nd Edition, at HOME, Manchester and at Lo Schermo dell’Arte, Florence
Shared Flat, Hospitality, curated by Carla Donauer, Piusstrasse 36, Cologne
2015 Alfred Jarry Archipelago, Performance Day at la Ferme du Buisson, Noisiel
Mixer, performance event at Laff Box, MAMA, Rotterdam
Alfred Jarry Archipelago: ‘HA ‘HA, curated by Leonardo Bigazzi, Museo Marino Marini, Florence
OPEN HOUSE, curated by Jule Hillgartner, Kunstverein Braunschweig, Braunschweig
Inside the city. Public Space and Free Space, curated by Janneke de Vries, GAK Gesellschaft fur
Aktuelle Kunst, Bremen
Vom Großen und Ganze, Sammlung Haus N in der Gerisch Stiftung, Neumunster
Laugh-in: Art, Comedy, Performance, Museum of Contemporary Art, San Diego
2014 Fortune III Grey skies and sunny dispositions, The Ister, Paris
2013 Editionshow, Chert, Berlin
Ian Hamilton Finlay Weekend, Arnolfini, Bristol
You’re my wife now, Infernoesque project space, Berlin
Role models, Chert, Berlin
Mum, I just really need to focus on my art right now, Galeria Miejska Arsenal, Poznan
2012 Celluloid Brushes, Isabella Bortolozzi Galerie, Berlin
Tintenfisch, CNEAI=, organised by Chert and Motto, Berlin . Paris exchange, Paris
New Sculpture?, Zacheta National Gallery of Art, Warsaw
2011 Pentimenti, Kleine Humboldt Galerie, Berlin
Petrosphere, ReMap3, Athens
Sculpture is three-dimensional artwork created by shaping or combining hard materials..., Johann
Konig, Berlin
Based in Berlin, organised by Kulturprojekte Berlin Gmbh, Berlin
A Skeleton in the Closet, curated by Rebecca Lamarche-Vadel, Heidelberger Kunstverein-Ausser
Haus project, Heidelberg
That which doesn’t kill us is often made of foam, Chert, Berlin
2010 Imploaded, Mareschstrasse, open studios, Berlin
2 Sculpture Biennale, Przestrze.. Rozwini.cie” Warsaw
Przekle.stwa wyobra.ni, Bunkier Sztuki, Krakow
Die Kleine Improvisation, Stadtgalerie, Kiel
Group show, Infernoesque projekt Raum, Berlin
Hostile Aesthetik Takeover, Apartment, Berlin
Der agnostische Blick, mbf-kunstprojekte, Munchen
Various one night, Forgotten Bar, Berlin
2009 Ekspektatywa, Fundacja B.c Zmiana, Warsaw
Anabasis. Rituals of Homecoming, Festival of Dialogue of Four Cultures, curated by Adam Budak,
Ludwik Grohman Villa, Lodz
2008 Birne, Tat, Berlin
National Museum, Lavafeld, Berlin
2007 Things Happen, Kompact Living Space Galerie, Berlin
2006 Detour, Moleskin exhibition, Waterstones Piccadilly, London
Tournament, Spital square, Spitalfields, London
100° show, Ruskin School, Oxford
Omni-Shop, Albion Stables gallery. Kings Cross, London
2005 Montana Butch, The Great Eastern Hotel, Liverpool Street, London
One Happy O’ Clock, British Embassy, Tokyo
2004 Atomic Art Bomb, Modern Art Oxford, Oxford
작품소장처
GAM, Fondazione Torino Musei, Turin, Italy
AGI Verona, Italy
Furstenberg Collection, Donaueschingen; Frac des Pays de la Loire
Petrit Halilaj, Abetare (Table), 2019, Steel, wood, 440 x 250 x 180 cm
페트릿 할릴라이(Petrit Halilaj, b. 1986)
코소보 출생. 베를린, 만토바 보촐로, 코소보 프리스티나에 거주하며 작업
레지던시
2018 Smithsonian Artist Research Fellowship (SARF), Washington D.C.
2016 MAK-Schindler Scholarship Program at the Mackey Apartments, Los Angeles.
2014 Villa Romana, Florence.
2013 Furstenberg Zeitgenossisch, Donaueschingen.
수상
2017 Mario Merz Prize
2010 Blau Orange 2010 . shortlist Simon Denny, Petrit Halilaj, Klara Liden, Nora Schultz.
개인전
2020 Palacio de Cristal, Museo Reina Sofia (upcoming)
2019 ChertLudde, Berlin (upcoming)
2018 SHKREPETIMA, Fondazione Merz, Torino
Hammer Projects: Petrit Halilaj, Hammer Museum, Los Angeles
SHKREPETIMA, Paul Klee Zentrum, Bern
2017 RU, Curated by Helga Christoffersen, New Museum, New York
2015 Space Shuttle in the Garden, Hangar Bicocca, curated by Roberta Tenconi, Milan
ABETARE, curated by Moritz Wesseler and Carla Donauer, Kolnischer Kunstverein, Cologne
She fully turning around became terrestrial, curated by Rein Wolfs, at Bundeskunsthalle, Bonn
2014 Yes but the sea is attached to the earth and it never floats around in space. The stars would turn
off and what about my planet?, Kamel Mennour, Paris
of course blue affects my way of shitting, Chert, Berlin
Darling squeeze the button and remove my memory, Galeria e Arteve e Kosoves, Prishtina
I’m hungry to keep you close. I want to find the words to resist but in the end there is a locked sphere. The funny thing is that you’re not here, nothing is, Kunshalle Lissabon, Lisbon
2013 July 14th?, Foundation d’Enterprise Galeries Lafayette, Paris
I’m hungry to keep you close. I want to find the words to resist but in the end there is a locked sphere. The funny thing is that you’re not here, nothing is, Kosovo Pavillion, Venice Biennale, curated by Kathrin Rhomberg, commissioned by Erzen Shkololli, Arsenale, Venice
Poisoned by men in need of some love, curated by Elena Filipovic, WIELS Contemporary Art Center, Brussels
Petrit Halilaj, Tongewolbe T25, Ingolstadt
2012 Who does the earth belong to while painting the wind?!, curated by Giovanni Carmine, Kunsthalle Sankt Gallen, St. Gallen
2011 Petrit Halilaj, curated by Veit Loers, Kunstraum Innsbruck, Innsbruck
2009 Back to the Future, curated by Albert Heta, Stacion, Center for Contemporary Art Prishtina,
Kosovo.
Petrit Halilaj, solo exhibition, Chert, Berlin.
1996 Shote Galica, Scuola Elementare, curated by Behlul Spahiu, Runik-Kosovo
주요 그룹전
2019 The Palace at 4A.M., Archeological Museum of Mykonos, Mykonos
Homeless Souls, Louisiana Museum of Modern Art, Denmark
15th Lyon Biennale, Lyon
2018 New Materialism, Bonniers Konsthall, Stockholm
CHILDHOOD. Another Banana Day for the Perfect Fish, Palais de Tokyo, Paris
THAT’S IT!, MAMbo - Sala delle Ciminiere, Bologna
When Animal Talked to Human, Traversia Cuarto, Madrid
Friend of a Friend, ChertLudde hosted by Foksal Gallery Foundation, Warsaw
Una vida domestica . A Domestic Life, Curated by Jose Esparza Chong Cuy, Curated Sector at
Salon Acme, Mexico City
2017 Mit den Handen zu greifen und doch nicht zu fassen, Kunsthalle Mainz
Art and Alphabet, Curated by Brigitte Kolle, Hamburger Kunsthalle, Hamburg
Friends of Birds, Curated by Jeanne Barral, DOC!, Paris
Viva Arte Viva, 57th Venice Biennale, curated by Christine Macel, Arsenale, Venice
An ear, severed, listens, ChertLudde, Berlin
Mario Merz Prize, Fondazione Merz, Turin
Friends of Birds, Curated by Jeanne Barral, DOC!, Paris
Exhibition Fellows . Final Projects: Group XLII, MAK Center for Art and Architecture, Los
Angeles
2016 Animality, Marian Goodman Gallery, Curated by Jens Hoffmann, London
To Walk a Line, Akademie der Kunste der Welt, Koln for PLURIVESALE V
The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum,
Jerusalem
Triennale Fellbach, Curated by Susanne Gaensheimer, Co-Curator Anna Goetz, Alte Kelter
Fellbach
Par tibi, Roma, nihil, Curated by Raffaella Frascarelli, Palatin Hill, Rome
SUPER SUPERSTUDIO, Co-curated by Andreas Angelidakis, Vittorio Pizzigoni and Valter Scelsi, PAC-Pavilion of Contemporary Art, Milan
2015 Alfred Jarry Archipelago: ‘HA ‘HA, curated by Leonardo Bigazzi, Museo Marino Marini, Florence
Appearance & Essence - Timi.oara Art Encounters 1st Edition, curated by Nathalie Hoyos and
Rainald Schumacher, Art Encounters Foundation, Timisoara
Florenz Contemporary, Italian Embassy in Berlin, Berlin
Thirty one, curated by Hans-Ulrich Obrist and Petrit Halilaj, National Gallery of Kosovo, Kosovo
What’s Love Gotta Do With It, S.A.L.T.S., Switzerland
Trouble in Paradise, curated by Rein Wolfs, Bundeskunsthalle, Bonn
lip of the Tongue, curated by Caroline Bourgeois and Danh V., Punta della Dogana, Venice
2014 Shit and Die, Palazzo Cavour, curated by Maurizio Cattelan, Myriam Ben and Marta Papini, Turin
Fragile Sense of Hope, Telekom Collection, curated by Nathalie Hoyos and Rainald Schumacher,
meCollectors Room, Berlin
Artists’ Artists, Marian Goodman Gallery, New York
Fieldworks: Animal Habitats in Contemporary Art, curated by Chris Clarke, Lewis Glucksman Gallery, Cork
Villa Romana-Preistrager 2014, Villa Romana, Florence
2013 Editionshow, Chert, Berlin
Zweiter Streich, Furstenberg Zeitgenossisch, Donaueschingen.
SUPER Visions - Zeichnen und Sein, curated by Stefanie Heckmann, Museum Schloss Moyland, Moyland
2012 Fuoriclasse . 20 years of Italian Art in the class of Alberto Garutti, curated by Luca Cerizza, Galleria d’Arte Moderna, Milan
It doesn’t always have to be beautiful, unless it’s beautiful, Muslim Mulliqi prize, The Kosovo Art Gallery, Prishtina
New Public, curated by Rein Wolfs, Museion, Bolzano
Lost and Found, curated by Isabel Devriendt, Wilfried Huet, Dirk Engelen, Stella Lohaus, ERROR ONE, Antwerp
30 Kunstler/30 Raume, curated by Kathleen Rahn, Kunstverein Nurnberg, Albrecht Durer Gesellschaft, Nuremberg
2011 Temporaneo, organised by IMF Foundation and Nomas Foundation, Auditorium, Rome
nobody, not even the rain, has such small hands, curated by Scott C. Weaver, RaebervonStenglin, Zurich
Ernste Tiere: Petrit Halilaj, Judith Hopf, Bedwyr Williams, curated by Christina Vegh Bonner Kunstverein, Bonn
Ostalgia, curated by Massimiliano Gioni, New Museum, New York
Based in Berlin, curated by Angelique Campens, Fredi Fischli, Magdalena Magiera, Jakob Schillinger, and Scott Cameron Weaver, Atelierhaus Monbijoupark, Berlin
Struktur & Organismus, with Max Frey, Tue Greenfort, Petrit Halilaj, Rita Vitorelli, curated by Stefan Tasch, Marillenhof - Destillerie Kausl, Austria
You don’t love me anymore, curated by Katja Schroeder, Westfalischer Kunstverein, Munster
2010 Maladresses ou La Figure de l’idiot, curated by Fanny Gonella, The Institute of Social Hypocrisy, Paris
Drinnen & Draussen, Chert, Berlin
6th Berlin Biennale for Contemporary Art, curated by Kathrin Rhomberg, KW, Berlin
Berlin.Paris Exchange, Galerie Carlos Cardenas, Paris with Chert, Berlin
2009 Melancholy of Compassion, curated by Melih Gorgun, Siemens Gallery, Istanbul
Time Machine, curated by Vlado Velkov, Kunstverein Arnsberg
2008 The Lamb’s Mother in the Creche?, Chert, Berlin
Art is my Playground, Tershane, Istanbul
2006 Mediterraneo Contemporaneo, curated by Antonio d’Avossa, Castello Aragonese, Taranto
Corpo Urbano, De Portesio, curated by di Bruno Muzzolini, Roberta Baldaro, Massimo Rossi, Fondazione Cominelli, Brescia
Wireless, curated by Alessandro Mancassola and Bruno Muzzolini, Unorossodue
Migre, curated by Katia Anguelova and Alessandra Poggianti, Careof, Milano
Open Air, curated by Marinella Paderni and Isotta Saccani, Orto Botanico, Parma
1999 Bambini Di Kukes, organized by Dr. Poli Giacomo, Palazzo Municipale di Cremona
Kosove 1999, organized by Ymer Metalia, I° Premio Galleria d’Arte, Lezhe.Albania
주요 작품소장처
Centre Pompidou, Musee National d’Art Moderne, Paris
The Israel Museum, Jerusalem
Fonds de dotation Famille Moulin, Galerie Lafayette, Paris
University of Chicago Booth School of Business, Chicago
Nomas Foundation, Rome
Furstenberg Collection, Donaueschingen
Ettore Fico Foundation, Turin Sammlung Telekom Deutschland, Lohmar
Lewben Art Foundation, Lituania
Bundeskunstsammlung, The Federal Collection of Contemporary Art of the Federal Republic of Germany
Kolnischer Kunstverein, Cologne
Coleccion Jumex, Mexico City
FRAC Champagne-Ardenne / Regional Funds for Contemporary Art.
Zora Mann, Cosmophagy, 2015, Plastic beads, string, fabric, 350 x 460 cm
조라 만 (Zora Star Cahusac Mann, b. 1979)
영국 아메르샴 출생, 베를린에 거주하며 작업
학력
2003 Preparatory Studies, Ateliers Glaciere, Paris, France
2004-09 Academy of Contemporary Art and Research ‘Villa Arson’, Nice
2006 DNEP (Bachelor of Arts)
2009 DNESP (master of Art)
개인전
2018 Being and Your Own Form, ChertLudde, Berlin
2017 Doppelganger, curated by Imke Kannegießer, 45cbm studio space, Staatliche Kunsthalle Baden,
Baden
2015 Coagula, Chert, Berlin
2014 Open-Field-Test, Chert, Berlin
Tequila Sunrise, Fine Furniture Gallery, Berlin
2012 Sundown, Cussler, Berlin
2010 Growth Readiness, Macumba Night Club, Nice
단체전
2018 Condo, hosted by Union Pacific, with Galerie Gregor Staiger and Misako & Rosen
2016 Global Female Inventories, curated by NOTE ON, Project Space Festival, Berlin
You Can See the Weakness of a Man Right Through His Iris, in an apartment Rigaerstrasse 69, Berlin
Leaping over a bush to surprise a quail, Chert, Berlin
2015 Lugen, Atelier in der Oranienstrasse 189, Berlin
2014 Iao Oo, Studio Hodori & Studio Niculescu, Berlin
Hotspot Va, Commissariat A Treize, Paris
2013 Interior 301, Galerie Alain Gutharc, Paris
Reits, Schaufenster, Berlin
Where The Wild Things Go, Fine Furniture Gallery, Berlin
2012 Partouse, Berlin
Ballungsrum, Kosmetiksalon Babette, Berlin
2011 J’aime Les Femmes Et Je Le Prouve, Espace A Debattre, Nice
Ryhmanaytelly, Macumba Nightclub, Nice
2010 Coulis De Framboises, Kit Invite, Palais De Tokyo, Paris
Hic, Villa Arson, Nice
Thriller, Berlin
2009 Birds Love Fish, Chert, Berlin
Sante, Galerie De La Marine, Nice
Pavillon Arson, 54e Edition Du Salon De Montrouge
Ecotone, La Station, Nice
No Way Nevermind, Insitut Francaise, Dresden
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